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Thanks for the translations as always, Hennojin. I will say one thing though. Isn't that some sort of crop once the harsher punishment starts? It would probably make more sense to say whipping or cropping than it would to say caning, right?
My Chastity hasn't had an actual pad lock for over 5 years! All the new Chastity cages have barrel locks and designed so you can't even pull your pecker out of them anymore. Some more extreme that other's such as ones with a little hook in it for a prince albert piercing..
Anyway, anyone who has wore a chastity for a long time know's it's quite easy to cum! xD If you haven't cum in a while you sometimes just ejaculate for no reason, it's not premature ejactulation, it's more like your body just getting rid of it.. and using a strapon/dildo on your prostate becomes surprisingly easy to cum over time.
Preping can a hassle though.. :S I recommend low-fibre, low dairy and less fatty and greasy foods as possible! :3
Edit: Erectile dysfunction.. Kinda of, but I think of a mind set of which you prefer/enjoy over the other, as of inability to cum.. If I have penile stimulation (which is rare) I only cum about a pees worth, but if I have prostate stimulation, there's just loads of it.. So again I think you just get used to do it one way over the other..
I love femdom, I really do. I love sadistic characters beating on boys. But Risa isn't a sadistic character, she's Sadism sans character. Seriously, I still don't know what the fuck she really wants out of any of this or what her ultimate goal is. "Training" and "loyalty" are really ambiguous. It's like she just wants Jizaya to sit around all day in a chastity belt while doing her household chores and gets really mad that he wants to cum. Ironically, underneath the intense punishments is a very bland relationship dynamic. These two just do not connect at all. It's so boring if you look past the visuals. Does Yamahata Rian not understand that the physical aspect of femdom exists in service to the underlying psychological and social dynamics of a mistress/slave relationship? That there is more at play here than just strapping someone to a piece of bondage furniture and hitting them with yet another implement? The underlying dynamics are almost completely lacking. Risa may talk a lot about loyalty, but the reality is that she and Jizaya don't really have a real relationship with each other. We've had almost 70 pages with these two, and yet they've only talked to each other a handful of times, mostly just to provide exposition about what's about to happen next. Hey, Yamahata Rian, here's a writing tip: character dialogue can be used for more than just exposition; it can be used to provide insights into the characters such as how they think, what they like, what their aspirations are, etc. These character insights establish this little thing called "personality." The only character in this godforsaken dreck that had that was Rumika. And she's a side character that seems to only exist to show that Risa has at least one friend, or at least person who sort of likes her, in the whole world.
Oh, and can we just take a moment to appreciate how underwhelming Jizaya's "brokenness" was? We hear that he is so much more subservient now, but I can't really see a difference between the end of this chapter and the end of the first chapter. Has Yamahata Rian not heard of the first rule of good writing: "show don't tell?" Don't tell me Jizaya is totally broken now, fucking show it. Especially if you're a mangaka whose visual talents far surpass their writing and narrative talents. Almost all "storytelling" in this thing is done through exposition alone. "I'm having trouble showing this character in a particular emotional state, so I'll just tell the reader this is how they are feeling." There's a joke in online writing circles that involves a character just straight up saying "I am sad" because the writer has troubles showing it otherwise. This story uses the "I am sad" model way too much.
And speaking of narrative, I don't think this story really had one. Risa and Jizaya's relationship hasn't really changed. Nothing really happened, except that Jizaya's servitude was extended for life, but that didn't really seem to have an effect outside of some throw away exposition in Jizaya's inner monologue. If a sequel gets made, who wants to bet that it will just be "Risa beats Jizaya for little reason and doesn't let him cum" but now the two of them are 2nd years. And then in the sequel to that they're 3rd years. And in the sequel to that they're at some university. Onwards into the final chapter that takes place in an evil femdom hospice center for the elite sadistic grannies of the Japanese nation, Jizaya's already dead but Risa is too senile to notice so she just beats on a spare pillow all day. Not that anyone would notice because Jizaya has all the personality of a spare pillow that's been in chastity too long.
Just in general, Yamahata Rian seems to have replaced any attempt at storytelling with shoving as much intense action into the reader's face as possible. And it doesn't work. To use a metaphor: If the intensity of the femdom can be compared to spiciness in food, then where other femdom stories are meals of various degrees of pique, this story is the equivalent of chucking a bottle of hot sauce at my head and calling it haute cuisine. It's heavy handed and lacking in substance I am pissed that I waited a year and a half for this sorry ass excuse of a "continuation" of what was already a somewhat threadbare story that only seemed good at the time because it promised to deliver something in the next chapter.
So North American students acquire hundreds of thousands of dollars in debt from student loans effectively turning them into slaves. European students get increasingly worthless diplomas in just one subject and after studying for 4 years they often end up unemployed or working minimum wage jobs effectively turning them into slaves. And these guys become literal sex slaves, aren't allowed to cum for 2 years and get their balls branded with hot iron. Gaining higher education ain't what it used to be.